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Postmodern jukebox anaconda lyrics9/9/2023 It’s really a lost art form that was very popular in the golden era.” “It’s so striking visually and a rhythmic part of the show. Of the inclusion of a tap dancer, he notes that it fits with the old-school feel of the show. “It’s a Lawrence Welk-like variety show but 100 percent more quirky!” he says, noting he travels with an ensemble of 12 performers that include a minimum of five male and female singers, a tap dancer and others. The touring show is an amalgamation of talents, something Bradley calls an “alternate universe.” “It’s just more proof that people enjoy the throwback sound,” Bradlee says. In 10 days, the YouTube video earned 3 million hits. The most recent example, he adds, is the re-creation of Radiohead’s “Creep” as a torch song sung by former “American Idol” contestant Haley Reinhart. “We like to do things in a way that makes you really think about the lyrics, too,” he says. Guns and Roses’ “Sweet Child of Mine” against a background of Bessie Smith New Orleans blues so it sounds like a mother singing lovingly to her child? Also done.īradlee and the large assortment of performers he has assembled for his recording sessions - a motley crew that has included jazz saxophonist Dave Koz, singer Niia, and Puddles the Clown, who is billed as the "sad clown with the golden voice" - are prolific, covering Nicki Minaj’s “Anaconda” in bluegrass sound, Cyndi Lauper’s “Girls Just Wanna Have Fun” as a waltz, and John Legend’s “All of Me” with a vintage soul sound. “All About That Bass” redone in 1940s jazz with the addition of a double bass? Yup.Ĭoolio’s rap “Gangsta’s Paradise” reconfigured with a 1920s jazz sound? Easy. “Tainted Love” tweaked with a ragtime sound? Done. He filtered popular 1980s tunes with ragtime-style piano for “Hello My Ragtime 80s,” played Nickelback songs in the style of 1960s rhythm and blues for “A Motown Tribute to Nickelback,” and paired “We Can’t Stop” by Miley Cyrus with doo-wop. Using one camera, he would videotape the jam sessions and put them on YouTube, where they quickly gained traction. I wanted to share the music I love and take the audience along with me instead of serving as background music essentially.” “I like to take songs my friends like and turn them into jazz or ragtime songs so they can appreciate these genres,” he says, adding that his experience playing in jazz clubs in New York City showed him that “jazz music is harder to connect with the audience. “Every time we think we've hit a new peak, we get something that is bigger,” he says in a phone call from his California base where he rests these days in between legs of his “boxcar hobo life” touring.īradlee, who has always loved old-time music like ragtime and jazz, is on something of a mission to share the nuances and beauty of these and other older sounds with a wider audience. Many musical careers start in a basement with a jam session, but Scott Bradlee’s ascent and, in fact, his entire musical concept is incredibly unique.īradlee, the brains behind the project that is Postmodern Jukebox, acknowledges the “explosion” of recognition and popularity he has experienced in just a few years since he gathered some friends in the living room of his basement apartment in Queens to re-create some jazz.
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